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The Best and the Most Disappointing Changes to the ‘Lion King’ Soundtrack

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Disney’s latest remake of the highly revered animated classic The Lion King has been receiving mixed reviews from critics, but it still has the opportunity to dazzle the general public worldwide. With the new Lion King soundtrack having recently released, there is a lot to dissect from it. Hans Zimmer’s remake of the classic score is the highlight for me personally, and whilst the film’s popular songs are clearly remade with love for the original, some of the musical numbers don’t reach the heights of the 1994 classics.

Whilst I can say that some of these songs are a bit of a disappointment, I wouldn’t say that I actively dislike them, so bear in mind I’m probably being a little finicky.

#3 Most Disappointing: “Can You Feel the Love Tonight”

Before you all start attempting to track me down with pitchforks in tow, hear me out first: I do not dislike the 2019 version. The instrumentals are beautiful, Beyoncé is fierce, Donald Glover is perfect as Simba, and Billy Eichner and Seth Rogen are charming iterations of Timon and Pumbaa. That being said, I did feel somewhat disappointed with this version due to it feeling like a Beyoncé platform rather than the soulful duet between Simba and Nala that I was expecting. Glover is also completely overpowered by Beyoncé’s vocals; even in their solo moments, Simba seems quieter, whilst Nala’s voice is booming in every moment of the song. This is a real shame as Donald Glover has an incredible voice and he really should have been on level pegging with Beyoncé, despite her star power. After all, it’s not as if Glover is a modest actor and singer, as he has received global stardom under his artist pseudonym of Childish Gambino, as well as his acting work on Community and Solo: A Star Wars Story as a young Lando Calrissian.

Beyoncé certainly goes all out on the vocal work, and she is sounding stellar as usual. However, as amazing as she sounds, you can’t help but feel like this is her song, and her song alone. She gets her own number in the new original song “Spirit,” where she has plenty of opportunity to display her talents, so I just feel that “Can You Feel The Love Tonight” was a chance to showcase Simba and Nala’s growing affection through a song that equally showed off the artists talents. However, the end result is mostly Beyonce, and very little of Glover.

#3 Best: “Hakuna Matata”

The critics who have released their reviews on The Lion King have mostly agreed on one thing: that Timon and Pumbaa steal the show and inject a much-needed burst of energy into the film’s proceedings. This is undoubtedly the case when listening to “Hakuna Matata,” one of the most famous Disney songs on the Lion Kingsoundtrack. Nathan Lane and Ernie Sabella brought a special partnership that warmed the audiences’ hearts to the characters and the song in the 1994 version, but Billy Eichner and Seth Rogen also manage to capture everything that was charming and dynamic about the meerkat and warthog duo, whilst introducing a playful originality to them. There is something hilariously endearing about hearing Seth Rogen’s attempts to hold a tune. Singing is clearly not one of his strengths, but he plays it well, and it somehow manages to fit Pumbaa’s character. Eichner, on the other hand, has a surprisingly fantastic set of pipes, which works amazing well with Rogen’s.

The funniest part of the song is the infamous line wherein Pumbaa discusses how he felt downhearted every time that he…passed wind. In the original film, Timon stops Pumbaa before he can use the phrase in front of the children (both baby Simba and the audience), but here Timon does not intervene, as Pumbaa announces his farting habits to the world. Pumbaa queries as to whether Timon is going to stop him, and Timon simply responds with, “No I’m not. You disgust me.” I must admit, I laughed out loud when I first heard it. Eichner’s delivery and his banter with Rogen is a great way to change up the song from the original. The audience has grown since the original film, and we are all now old enough to hear the word “fart” without having a meltdown. (Well, most of us are anyway.) JD McCrary and Donald Glover’s role as Simba in the song is also brilliant, as both of them are hugely talented singers who manage to capture the spirit of Simba perfectly, both younger and older.

#2 Most Disappointing: “The Lion Sleeps Tonight”

With that being said, the inclusion of “The Lion Sleeps Tonight,” sung by Eichner and Rogen, seems a little bit unnecessary to me. It is a funny scene in the original film, with the two wandering in the jungle singing the song to themselves, and it will probably make for amusing viewing in this remake too, but I don’t see why it had to be put in the Lion King soundtrack. Again, Eichner’s vocals are great, but Rogen does very little here. There are also hints of fart noises in the song as well, which makes it feel all the more obsolete.

There are some really amazing songs throughout the franchise, such as those from the Broadway show and the second movie, so I don’t see why one of those songs couldn’t have made it onto the soundtrack instead of this. “He Lives in You,” which was in both The Lion King 2 and the musical adaptation, managed to make its way onto the 2019 soundtrack, and it works incredibly well. I just wish that one of the other great songs could have been brought here instead. Like I said at the start, I’m being finicky about this, as well as a little bit mean, but it really does feel like an unnecessary addition to pad out the length of the soundtrack. With the wide range of possibilities for additional music, I can’t help but feel like “The Lion Sleeps Tonight” is one of the more superfluous songs on the album.

#2 Best: “I Just Can’t Wait To Be King”

One of my all-time favourite Disney songs has to be “I Just Can’t Wait to Be King,” so I couldn’t help but scrutinise the 2019 version after I first heard it. I found myself pleasantly surprised. Jason Weaver and Laura Williams sang the original fantastically, managing to nail the song performance-wise, whilst also keeping in line with the characters of Simba and Nala, respectively. This was sure to be a difficult act to follow, but JD McCrary and Shahdi Wright-Joseph pay respect to their predecessors whilst bringing a fresh sound to the classic song. John Oliver doesn’t quite hit the mark when it comes to the dry British wit of Zazu as well as Rowan Atkinson did, but he does a great job nonetheless, and his inclusion is still a nice touch of humor.

The song is slightly longer than the original as well, adding more of an interlude made up of tribal drums that lay out an adventurous beat that further enforces the idea of two mischievous lion cubs running through the pride lands. Nala gets more to do this time around too, as the song takes cues from the Broadway musical, which gave some of Simba’s singing lines to Nala and added in some riffing to jazz up her part in the song. This is great to hear, as it gives Shahdi Wright-Joseph the chance to bring some brightness to the character with her incredible singing talent. The 2019 version is cheerful, energetic, and brings the young talent of the film into the spotlight that they deserve, so I definitely consider it as one of the best on the Lion King soundtrack.

#1 Most Disappointing: “Be Prepared”

Many months ago, when The Lion King was still in development, rumors started coming to the fore that the fan-favourite song “Be Prepared” (featuring the film’s villain, Scar) would be cut from the remake. Closer to the release date, it was revealed that the song would indeed be in the movie, but the end result feels somewhat half baked. A good deal of the 2019’s “Be Prepared” involves talking from Scar and his hyena minions, but it slowly and uncertainly becomes more grandiose until it is a musical number. Regardless, it all just feels a bit low-energy, with little of the charisma and character from Jeremy Irons’ version from 1994.

Chiwetel Ejiofor, who plays Scar this time around, is not at fault here. In fact, his deep, booming, and intimidating voice is chilling, and gives the song a more sinister and villainous tone, with a hint of creepiness. What is irritating is that whilst the song does have positives (mainly Ejiofor’s performance and the haunting instrumentals) that could have made for a really interesting and original take on the classic song, it is so rushed that it doesn’t have much time to truly make an impact.  It’s two minutes long, but has a slow beat that doesn’t increase much throughout, so by the time the song finally starts to get going, it is already finishing.

It isn’t exactly clear what happened with this number, but it seems to me like Disney saw the backlash from the public when it was suggested that “Be Prepared” wasn’t going to be included, and therefore scrambled to put something together for Scar in the final film. Of course, I can’t say that this is what happened for sure, but if so, the final product is a hastily done piece that could have been so much better if given the same amount of creative input as some of the other songs on the Lion King soundtrack. Despite Ejiofor’s efforts and the promising framework that the song offers, the 2019 version of “Be Prepared” is incredibly disappointing. Not only does it not stand anywhere near the level of the original, but it wastes its potential. After the initial sinister tones of Ejiofor wore off, it left me feeling pretty unmoved. For such a well-known song from the remake of one of Disney’s best animated films, it simply isn’t up to the standard that it should be.

#1 Best: Stampede

It has to be one of Hans Zimmer’s interpretations of the old score that is the best of the 2019 Lion King soundtrack. Zimmer had a tough challenge ahead of him when he agreed to come back for the remake. He had to stay true to the original music (as it is one of the greatest scores from an animated movie to date), but also make sure that he added enough new material within the original score to create a refreshing update. I consider this song the most successful of the new soundtrack, despite all the star power behind the others. One of the most emotionally charged tracks has to be “Stampede,” which comes during the infamous stampede that leads to Mufasa’s death.

The original track (called “To Die For”) is incredibly intense before becoming harrowing, but Zimmer manages to up the emotion even more so in his 2019 take on the piece. It is slightly longer, and spends a bit more time ramping up in intensity, creating a heart-pumping piece that makes you feel the gravitas of the scene without even watching it. Once the music has reached its boiling point, Zimmer includes a sorrowful effect that sounds like a lion’s scream. This is new addition to the piece gives it an extra stab of pain, as we know that this is when Mufasa loses his life as young Simba watches on in horror. The music then moves onto the softer and hugely emotional moment of Simba finding his father’s body, then attempting to get him to wake up. As sad as this was on the original Lion King soundtrack, it is made all the more painful to listen to now, as Zimmer increases his orchestra and adds in some booming drum beats to emphasise the weighty effect that this event will have on Simba’s life, as well as the lives of all the lions in the pride. You can hear the cub’s life being ripped from underneath him, all within a few seconds of the score.

I felt myself tearing up just listening to this track, without even having watched the film yet. The last minute or so then gets a new, sinister theme for the hyenas, as they presumably chase Simba out of the pride lands. It has a more threatening tone than their original theme, but it still stays true to it. This element is also more frantic, to indicate Simba’s desperate attempt to escape the predators. “Stampede” is an incredible piece that highlights Zimmer’s attempts to rework his previous music into something with even more emotional power than it had originally.

The new Lion King soundtrack is out now, and the film releases this Friday, July 19th 2019.

Antonia Haynes resides in a small seaside town in England where she has lived her whole life. She's a simple girl with a passion for zombies, writing, film, television, drawing, superheroes, Disney and, of course, video games. Her ideal day would consist of junk food, fluffy pyjamas and video games because quite frankly going outside is overrated. Follow her on Twitter on @RainbowMachete

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Be Excellent to Each Other with these Awesome ‘Bill and Ted’s Excellent Adventure’ Figures

“History is about to be rewritten by two guys who can’t spell.”

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Since its release in 1989, Bill & Ted’s Excellent Adventure inspired a sequel (Bill & Ted’s Bogus Journey), a Saturday morning cartoon, a comic book series, and launched actor Keanu Reeves into movie stardom. And now, three-plus decades later, Bill and Ted are getting their own scale collectible set courtesy Sideshow and Blitzway.

This is your chance to own the friendly duo in one go! The work put into creating these high-end figures is truly astounding as the figures capture the look of a young Alex Winter and Keanu Reeves just as we remember them. If you have $399 to spend, they can be all yours.

Check out the photos below along with the official press release.

Bill and Ted are two high school buddies who dream of becoming international rock stars. Their hilarious time travel adventure is depicted in the amazingly audacious comedy Bill & Ted’s Excellent Adventure.

It’s like having them pop up right in front of you, with their iconic fashion and elaborate accessories. Besides, the iconic props are designed to let you reproduce a variety of wonderful scenes from the movie.

Be excellent to each other and travel to the past through the exciting story of Bill and Ted!

The Bill & Ted Sixth Scale Collectible Set specially features:

Highly detailed likeness of Alex Winter as Bill S. Preston Esq.
Highly detailed likeness of Keanu Reeves as Ted “Theodore” Logan
Newly designed and developed male body with over 30 points of articulations and flexible soft arms
Two (2) Newly designed and developed figure stands
Twelve (12) interchangeable hands (total for both) including:
Two (2) pairs of guitar hands
Two (2) right blow fist hands
Two (2) pairs of open hands
Two (2) right good fortune hands

Costume for Bill:

One (1) purple pattern shirt
One (1) graphic t-shirts
One (1) pair of blue jeans
One (1) pair of pattern underpants
One (1) pair of striped socks
One (1) pair of canvas shoes

Costume for Ted:

One (1) blue jacket
One (1) black vest
One (1) graphic t-shirt
One (1) pair of graphic shorts
One (1) pair of inner training pants
One (1) pair of striped socks
One (1) pair of canvas shoes

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Watch the Creepy Trailer for ‘Little Nightmares 2’: Six is Back and She has Help.

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One of the biggest surprises to come out of Gamescom 2019 so far is the announcement of Little Nightmares 2, the sequel to the puzzle-platformer hit horror game developed by Tarsier Studios.

While the first Little Nightmares has you take control a character named Six while avoiding instant death as she traverses alone amongst the depths of a dungeon, the sequel will give her a companion named Mono, who must accompany Six throughout her terrifying new journey.  

Little Nightmares was one of our favorite games of 2017 and so we can’t wait to get our hands on the sequel. In our review, James Baker wrote, “Tarsier Studios have created a wholly original concept to a horror genre that has leaned more towards thriller before anything else, bringing its roots back without relying on jump-scares and needlessly-gory shocks. Just like hide-and-seek, Little Nightmares captures the fear of being caught, albeit in a creepy, macabre style.”

Little Nightmares 2 will be released sometime in 2020 on Nintendo Switch, PlayStation 4, Windows PC, and Xbox One.

Watch the trailer below and if you are a fan of the first game, we recommend reading this article that dives deep into the meaning behind Little Nightmares.

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NBA 2K20’s Story Mode Gets a Stunning Trailer

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NBA 2K19 features to date, its strongest MyCareer mode with the aptly titled, “The Way Back”, a fascinating look at the culture behind college basketball recruiting. The story mode was well received by critics and fans everywhere and in our review, we called it, “an incredible achievement that conveys the fabric of modern American life, aspirations and incidentally, sports, in close-up and at length”.

NBA 2K20 which will be released in less than a month, promises to include an even better story mode, and while we haven’t played the game yet, we have plenty of reasons to think it might be. Not only does it feature an all-star cast with top-tier talents such as Idris Elba and Rosario Dawson, but the story mode – entitled “When the Lights Are Brightest” – is being produced by LeBron James’ Springhill Productions, the same company behind the upcoming Space Jam 2.

NBA 2K20’s latest trailer, which debuted Monday during Microsoft’s Inside Xbox show live from Gamescom in Cologne, Germany, give us a good idea of what to expect. We get a glimpse at Idris Elba and Rosario Dawson in action as well as the rest of the supporting cast which includes Thomas Middleditch, Mark Cuban, Ernie Hudson, Lamorne Morris, Scottie Pippen, and Jaleel White!

The NBA 2K20 demo will go live on Wednesday, Aug. 21 and will allow players to create a character and get a head start on MyCareer. Any progress made will carry over to the full game, which will be released Sept. 6 on Nintendo Switch, PlayStation 4, Windows PC, and Xbox One.

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The Transformers: Lessons in Warfare, Scale, and Childhood

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The Transformers are an enduring part of American pop culture. Starting with the introduction of the first toy lines in the early 1980s, the animated series went on to define a large part of ‘80s culture, reaching its apex with the release of The Transformers: The Movie in 1986. After a disappointing performance in theaters, however, the brand reached a nadir in the post-movie era, receding from the front of American pop culture until the late 1990s, when Transformers: Beast Wars brought the franchise to the forefront again.

It was into this climate that I was born. By the time I was old enough to watch TV and get toys courtesy of the North Pole and my parents, I began to take an interest in the series. After all, what five-year-old boy doesn’t like the idea of giant robots fighting each other for control of the earth and the universe?

My local video store (yes, those used to exist) had a copy of the first three episodes of the original Transformers series, Generation 1, on VHS. I remember renting this one particular copy from the store and watching it at least three times, sun-faded front cover and all. Even then, I loved the series, though I only had a few generic dollar-store “transformers,” an Armada Megatron that I had received for my fifth birthday, and a couple of hand-me-down G1 figures from my Dad.

Some of my earliest memories of Transformers came from a trip my parents and I took to visit my Dad’s former college roommate, a professed 80s culture geek. I remember watching a ton of G1 episodes, like “Dinobot Island,” as well as The Transformers: The Movie on his large projection-screen TV, an experience which inculcated within me an intense love of the series.

Optimus Prime The Transformers The Movie

Optimus Prime, bastion of bravery and an excellent role model for a maturing boy.

The first real episodic Transformers show that I watched with any sort of consistency, however, was Transformers: Armada. Now, I don’t remember much about this show — for good reason, as it’s derided by many Transformers fans for its poor animation, bad dubbing, and terrible story — but what I do remember is one particular toy that I really enjoyed: Armada Unicron.

I think it was the Christmas of 2002 when I first got Unicron. I remember having seen him in the store and (probably) telling my parents something or another about it, but I was utterly shocked when Santa brought it to me as a present. As a kid, Unicron was an impressive toy that towered over all of my other Transformers. He was such a hefty toy that I had trouble just picking him up from the ground. After having seen The Transformers: The Movie, I was just impressed by having the planet-eating destroyer of worlds himself in toy form. It was good to be a kid.

My consumption of Transformers-related content stayed relatively the same for a couple of years. Since my family didn’t get any of the channels that the shows came on, I was often left to make up what stories I could from my own memory, but we had Netflix (back when it was a DVD mail-in service), so I was able to watch some of the old series, including Beast Wars, Beast Machines, and Transformers: Energon on DVD. As usual, however, I spent most of my time in school or playing on my GameCube.  

When Michael Bay’s Transformers released in theaters in 2007, it ushered in an entirely new era of Transformers fandom across the world. With the return of G1 originals Peter Cullen and Frank Welker as the voices of Optimus Prime and Megatron, respectively, the ‘80s were alive and well again. This transformation (pun fully intended), brought about the introduction of an entirely new show, Transformers Animated, which aired on Cartoon Network. Before the days of DVR, it was nearly impossible for someone like myself, who was usually involved in any myriad of school activities on any given day, to find the time to watch a show at its air time. 

Unicron Armada Transformers Toy

Just look at this toy! Even today, it’s impressive.

However, luckily enough for me, Cartoon Network aired reruns of two episodes of Animated every day at 6:30 AM. As someone who lived literally two minutes away from school, I usually didn’t leave my house until around 7:45 or 8:00, so I had plenty of time to watch the show. I remember getting up every morning, fixing myself a big bowl of cereal, and sitting down to watch Animated before anyone in the house was up. Just me, Transformers, cereal, and a lot of fun. 

Soon, as I aged and Animated was replaced by Transformers Prime, I grew into a more nuanced appreciation for the shows’ storytelling. Prime, a dark tonal contrast with Animated, found me at the perfect time in my life. I appreciated its reverence for Optimus Prime and its overarching themes of sacrifice and leadership. While some would say it was boring or over-wrought, for a burgeoning pre-teen it was an engaging combination of cool and edgy that I thoroughly enjoyed.

When I sit down to think about the impact the Transformers series has had on my life, there’s one point in particular that sticks out to me: the imagination that playing with Transformers encouraged. While the brand was doubtlessly born of a commercial desire to sell as many pieces of plastic as possible, it nonetheless developed into a series capable of some interesting, if not always deep, storytelling. 

I copied this sense of storytelling when it came time to play with my toys. I remember incorporating various weather machines, weapons of ultimate power, and energy crystals into overarching narratives that could last a whole afternoon. Narratives in which Autobots died, lost limbs, or were otherwise in peril before the power of the Matrix of Leadership or Primus himself showed up to save them in the end. While this may not seem all that unique, I credit the series with instilling in me a sense of narrative detail. In fact, I remember not mixing my G.I. Joes and Transformers together, because in my internal head canon, they weren’t to scale (everyone knows that Transformers are at least three to four times taller than humans.) 

Megatron vs. Dinosaur G1 Transformers

I can safely say that I probably played out this exact scenario at least four or five times in my childhood.

However, Unicron himself created all sorts of problems for an internal narrative. For a being the size of a planet, he was rather puny in scale when compared to the other figures. So, I would always put Unicron to the side and pretend that the smaller Transformers were mere dots on him, tiny little specks that could barely be seen, the same as they had been in The Transformers: The Movie. I feel like the toys gave me an appreciation of the tropes of narrative fiction that I otherwise wouldn’t have noticed or appreciated. 

Today, I still love the series and try to watch The Transformers: The Movie at least once a year. Newer entries, like Transformers: Rescue Bots and Rescue Bots Academy allow me to share my love of the series with my younger siblings without encountering the darker elements of some of the classic shows. It allows me to teach them all about the Cybertronians that I grew up with, and perhaps encourage them to craft stories of their own. Now, excuse me while I help the Rescue Bots put out a fire on Wayward Island…

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This John Wick Action Figure Even Comes with his Dog

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They took his car, a classic 1969 Mustang, and then they killed his puppy. Ever since, John Wick has been on a mission to turn the criminal underworld upside down.

The John Wick series has been nothing short of stylish, thrilling, and downright action-packed— and as huge fans of both the franchise and the star, we just couldn’t resist sharing this info about the latest Keanu Reeves action figure.

Standing at 7-inches tall, the figure captures the modern action pose of the icon as he appears in his first film outing, dressed in a suit and accompanied by his faithful dog, Daisy. Designed by Yuri Tming and sculpted by Gentle Giant Studios, the action figure comes courtesy of Diamond Select Toys and retails at $24,99 USD.

John-Wick-Action-Figure-with-Dog

Let us know if you plan on picking one up in the comments below.  

Product Features
7 inches (17.78cm)
Made of plastic
Featuring over 20 points of articulation
Display-ready Select action figure packaging
Sculpted by Gentle Giant Studios!

Box Contents
John Wick figure
Weapon accessories
Dog

via BigBadToyStore

John-Wick-Action-Figure
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Goomba Stomp is the joint effort of a team of like-minded writers from across the globe. We provide smart readers with sharp, entertaining writing on a wide range of topics in pop culture, offering an escape from the usual hype and gossip. We are currently looking for Film, TV, Anime and Comic writers.

Contact us: Editor@GoombaStomp.com

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