'Greta', inspired by the famous performance by Garbo in 'The Grand Hotel,' shares its inspiration's lifeless quality.
'The Awakening of the Ants' subtly critiques Costa Rican gender relations through one woman's personal change.
First time director Nimrod Elder's Isreali drama 'The Day After I'm Gone' can't quite figure out what it wants to say.
'Far From Us', now premiering at the Berlinale Forum Section, is a truly life-draining cinematic experience.
'Retrospekt' is a non-linear domestic violence drama which unwisely suggests that women are sometimes responsible for the violence of men.
'The Shadow Play' is film noir filtered through 'Goodfellas,' a remarkable re-imagining of the epic crime drama.
'Normal' depicts the absurdity of heteronormativity, precisely capturing the gender norms of modern Italian life.
'Divine Love' is as sexually graphic as it is aesthetically pleasing, yet it has little substance beneath surface thrills.
'Monos' is a dross take on 'Lord of the Flies' that starts poorly and gets progressively worse. Almost completely unwatchable.
'The Last to See Them' has a fascinating idea at its core, but is let down by its uninteresting characters and storyline.