TIFF 2017: ‘Vampire Clay’ Is Fun But Forgettable

'Vampire Clay' is an enjoyable B-level horror film, but somewhat lacking in originality.
American Assassin

‘American Assassin’ Almost Gets It Right

American Assassin positions itself as the next Bourne-style action series.

TIFF 2017: ‘Bodied’ Takes The Gloves Off

'Bodied' is an important film, but a deeply flawed one.
Lady Bird

TIFF 2017: ‘Lady Bird’ Is A Coming-Of-Age Classic

'Lady Bird' isn’t a great film for new director, it’s a great film. Period.
firstreformed_03

TIFF 2017: ‘First Reformed’ Is A Blistering, Bleak Contemplation On Humanity’s Frailty

Paul Schrader’s 'First Reformed' is a bleak, tough take on the suffering we can self-inflict in our constant search for higher truth.
Fantastic_Woman_01

TIFF 2017: ‘A Fantastic Woman’ Is A Moving, Vivacious Portrait Of Grief And Resilience

Along with 'Call Me By Your Name,' 'A Fantastic Woman' stands out not just as exemplary LGBTQ cinema, but as one of the best films of 2017, deserving wide recognition for overall achievement.

‘Scream 4′ is bloodier, smarter, better and just plain scarier than all three before...

For genre enthusiasts, Scream is a hard left lead followed by a right cross, a horror movie that slices it’s way through expectations and, a sequel that takes a stab at altering the shape of horror films for another decade.

TIFF 2017: ‘The Disaster Artist’ Frames a Masterpiece in Bad Films

Making someone want to watch a bad movie is what makes 'The Disaster Artist' such a great telling of a preposterous real-life story.

TIFF 2017: ‘Three Peaks’ Is A Complex, Unnerving Story Of A Family’s Decomposition

'Three Peaks' is a fascinating, and at times disconcerting character piece about the struggle to be a family.

TIFF 2017: ‘Five Fingers for Marseilles’ Is a Great Western By Way of Rural...

'Five Fingers for Marseilles' both pleases and surprises. Western fans will get what they want, as will movie lovers that want an action film with a legitimately different flavour.