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The Toronto International Film Festival is one of the largest, most prestigious celebrations of cinema in the world, showcasing both major premieres and hidden gems from Canada and around the world.

TIFF 2017: ‘Three Billboards Outside Ebbing, Missouri’ Questions The Necessity Of Violence

'Three Billboards' takes itself to Hell and back in order to present a textured portrayal of grief and culpability in a small community.
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TIFF 2017: ‘First Reformed’ Is A Blistering, Bleak Contemplation On Humanity’s Frailty

Paul Schrader’s 'First Reformed' is a bleak, tough take on the suffering we can self-inflict in our constant search for higher truth.
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TIFF 2017: ‘A Fantastic Woman’ Is A Moving, Vivacious Portrait Of Grief And Resilience

Along with 'Call Me By Your Name,' 'A Fantastic Woman' stands out not just as exemplary LGBTQ cinema, but as one of the best films of 2017, deserving wide recognition for overall achievement.

TIFF 2017: ‘Bodied’ Takes The Gloves Off

'Bodied' is an important film, but a deeply flawed one.
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TIFF 2017: ‘Lady Bird’ Is A Coming-Of-Age Classic

'Lady Bird' isn’t a great film for new director, it’s a great film. Period.

TIFF 2017: ‘The Journey’ Is A Creative Exploration Of Post-War Iraq And Its People

Smart, well acted, and touching in surprising ways despite its subject matter, 'The Journey' is well worth taking.
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TIFF 2017: ‘mother!’ Is an all-out Assault on Your Senses And Your Patience

Aronofsky’s fans are in for a treat and everyone else is in for a chore.

TIFF 2017: ‘Vampire Clay’ Is Fun But Forgettable

'Vampire Clay' is an enjoyable B-level horror film, but somewhat lacking in originality.

TIFF 2017: ‘Three Peaks’ Is A Complex, Unnerving Story Of A Family’s Decomposition

'Three Peaks' is a fascinating, and at times disconcerting character piece about the struggle to be a family.
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TIFF 2017: ‘The Shape Of Water’ Is Guillermo Del Toro At His Finest

The Shape of Water is an intoxicating film that dazzles the eyes and captivates the heart in equal measure.