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‘The Mandalorian’ Trailer: A Shot-by-Shot Analysis

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With Disney’s D23 Expo well underway in Anaheim, California, we got a slew of information about upcoming Disney, Marvel, and Star Wars projects. One of the most anticipated of these announcements was the trailer for Jon Favreau’s upcoming television series The Mandalorian. The show will take place following the events of the original trilogy of Star Wars films, set a few years after Return of the Jedi, when the Empire has been defeated, and will follow the titular gunfighter. The Mandalorian trailer suggests a darker tone for the Star Wars franchise; story-wise, we haven’t had much information, so let’s break down the trailer and see what we can decipher.

Stormtrooper Graveyard

One of the most striking images from the entire Mandalorian trailer is the opening shot of decimated Stormtrooper helmets in the sand. The setting of the series is emphasised here, with the collapse of the Empire highlighted by what looks like a shrine to their demise.

We also get this image of the helmets on pikes, suggesting a dark and violent tone. It is understandable that the inhabitants of the Star Wars universe would be vengeful towards the Empire, but this imagery illustrates just how deeply rooted this anger is throughout the galaxy. It is also a rather violent image, suggesting that the show will have a more adult nature similar to that of the Rogue One film.

Razor Crest

We then get a look at the Mandalorian’s ship as it cruises across a lush planet flourishing with greenery. The ship itself is known as the Razor Crest, a fact that was given back in April at the The Mandalorian panel at the Star Wars Celebration event in Chicago.

Prepare for Landing

The next shot we see is of some kind of ship port where the Mandalorian has docked the Razor Crest. He obviously travels far and wide within the galaxy for his contracts, and it could be interesting to see where his work takes him throughout the series. This particular port looks like it has seen better days. It’s likely that it took a beating during the civil war between the Empire and the Rebel Alliance. The effects that the war had on the rest of the galaxy could also be a fascinating element to explore.

Greef Carga

Next we see the Mandalorian exchanging what looks like credits of some kind with a character confirmed to be called Greef Carga, played by Carl Weathers. Carga is said to be the leader of a guild of bounty hunters who hires the titular character to track down an asset of great value.

Desert Plains

The Mandalorian trailer then sees the Razor Crest flying across a planet with a cracked, desert style terrain. This is another great example of the various worlds that we might see across the span of the series.  The scene is also visually stunning, and the production values are incredibly impressive for a television series. You can see that Disney is investing a lot in the show.

Suit Up

The Mandalorian readies his armour and weaponry in the next shot, obviously preparing for a fight. The mystery of the man behind the Mandolorian mask is clearly going to be a strong element of the series, much like with fellow Mandolorian bounty hunter Boba Fett, who became a fan favourite despite his minimal screen time. We know that the title character will be played by Pedro Pascal (Game of Thrones, Narcos), but little else is known about him.

Cara Dune

Gina Carano’s Cara Dune is seen in the following shot. Dune is a former Rebel solider, having been a Rebel Shock Trooper beforehand.  Carano described her as a “loner” who has trouble fitting back into regular society following the end of the Galactic Civil War. This is also an interesting story element that could bring some relatable human moments to a galaxy far, far away. Soldiers often have trouble adjusting back into ordinary civilian life following a long stint on the battlefield, and seeing this via Carano’s character could really humanise the Rebel soldiers who weren’t necessarily big players in the war, but just regular troopers. They are often overlooked in big adventure stories such as Star Wars in favour of the unobtainable heroes, so to explore the stories of the other Rebels could be interesting.

Uganaught

We then see an Uganaught  riding on what looks a bit like a worm with legs (that is my best scientific description). Uganaughts are humanoid creatures that have a slight resemblance to pigs. They come from the planet Gentes, and have made appearances across the wealth of Star Wars media. It’s nice to see the inclusion of a variety of alien species from the Star Wars universe here.

Twi’lek Ladies Get it Done

Similar to the Uganaught species, the Twi’lek are an alien species who have made appearances across the various Star Wars books, television shows, and video games. This particular Twi’lek woman looks like she has some sass to her, and I’m a sucker for strong sci-fi ladies. Girl power and all that.

The Lone Ranger

This is personally my favourite shot of the whole Mandalorian trailer. We see the Mandalorian walking by himself as the sun sets on a desert landscape. This shot encapsulates the lone nature of the bounty hunter. His dark silhouette slowly approaching is somewhat menacing as well, and makes for a fantastic shot that not only looks terrific, but also suggests the dark tones of the show and the moral ambiguity of the character.

Mother and Child

The next shot shows a woman and child cowering. This shot could be taken from any moment in the show, and could be a flashback or an important event in the series. Either way, it is likely that they are related to the Mandalorian in some way. Whether they were family to him or they are characters that he protects, I am certain they will play some role in the events that occur.

Ready, Aim, Fire

The next shot seems to be edited together in a way to make it seem like the line up of Deathtroopers are aiming at the woman and child in the previous shot. Though this is most likely purposely edited, it shows that the Empire still has loyal followers attempting to uphold the regime.

From the Hip

We see the Mandalorian’s itchy trigger finger next as he stands off against an unknown adversary. The trailer is certainly establishing a Western theme and this moment truly captures the feel of traditional gun-slinging Westerns.

Moff Gideon

Giancarlo Esposito’s Moff Gideon is the next character introduced in the Mandalorian trailer. Esposito confirmed that his character is still serving the Empire despite their fall in Return of the Jedi. He seems to have an ensemble of  Deathtroopers behind him, so he clearly isn’t alone in his dedication to the Empire. We know that the First Order will step up and take the place of the Empire in the future, so perhaps Gideon will play a part in establishing the new regime. It could also be that Gideon is an independent party, acting alone with his team of troopers.

Bounty Hunter for Hire

The close up of the classic Mandalorian helmet brings back memories of fellow Mandalorians — Boba Fett from the original trilogy, as well as his father, Jango Fett, from the prequels. The people of the planet Mandalore were ravaged by war on their world, so I’d be interested to see if we get to see the Mandalorian home planet, get more of an insight into the Mandalorian people, and learn how they were affected by their planets violent history.

Swoop

We then see a man aboard a swoop bike back in the desert at night confronting some sort of space craft.  This looks like it could be the Mandalorian, but he is missing his signature helmet. Hopefully, we will get a look at the man under the mask at some point in the series.

Warzone

A battle rages in the night in the next shot. You can see trenches set up and ships blasting at those on the ground. The ship makes the classic ‘pew pew’ noise when it fires, which is always the best part of anything Star Wars-related.

Run

Someone carrying a child runs through a street where a battle is raging; could it be possible that the valuable asset that Greef Carga has tasked the Mandalorian with transporting is indeed this child? It would make sense if the person carrying the child is the Mandalorian himself without his helmet again, but it could also be possible that this is just a child and parent affected by the war, trying to escape the battle. Either way, you can clearly see how the fighting is affecting someone so young.

Knock Knock, Open up the Door

Another cool scene from the Mandalorian trailer is this moment with the Mandalorian and a droid. The droid was confirmed to be named IG-11 after fans were originally thinking that he was an IG-88 assassin droid seen in the previous Star Wars movies. IG-11 will be voiced by Taika Waititi, so he is sure to have some attitude, and hopefully will deliver some one liners. If IG-11 has a similar personality to some of Waititi’s others roles, such as Korg from Thor: Ragnorak, then it could be a nice contrast to have him team up with the stalwart and stoic Mandalorian.

Space Battle

For a series set in space in a franchise known as Star Wars, we only get one glimpse of an actual fight in space.

IG -11

After seeing the Mandolorian gunning down some people in a battle, IG- 11 gets a moment to shine as he takes out several people with his laser pistol. Hopefully, the droid will pay a significant role in the series, perhaps forming a similar relationship with the Mandolorian that Cassian Andor and K2-S0 had in Rogue One.

Mexican Standoff

One of the finishing shots of the Mandalorian trailer shows the Mandalorian standing off against a group of Stormtroopers. He seems to be outnumbered and outgunned. At least until…

Hold the Door

He pulls a finishing move on this guy by tripping him as he tries to run, grabbing him with some kind of grappling hook, and pulling him back in through the door. He then shoots a panel next to door, forcing it to close on the attempted runaway. The shot cuts away before we get the bloody shot of someone getting chopped in two (this is still a Disney production after all), but the tone is clear. This guy is skilled, he is precise, and he is certainly not to be messed with.

Carbonite

A brief shot of an alien frozen in carbonite is seen next, showing that this isn’t a punishment just reserved for the likes of Han Solo. We also hear some voice lines from acclaimed actor, director, writer and all around artist Werner Herzog who states “Bounty Hunting is a complicated thing.”

Herzog Himself

Then we cut to the man himself. It is unclear as to who Herzog will be playing, but to have such an acclaimed person on board is pretty promising. He finishes his speech, “Don’t you agree?” I really hope that the series explores the moral ambiguities of what a bounty hunter is, and this small yet poignant speech from Herzog’s character suggests that this could come into question.

The Mandalorian

Jon Favreau is clearly a huge fan of the Star Wars series, and I have no doubt that he will bring us an interesting story that explores the dark underworld of the bounty hunting business in the Star Wars universe, whilst also maintaining the conflict between the Rebels, the ordinary citizens, and the last remnants of the Empire. With an impressive cast and crew working on it, The Mandalorian has the potential to be a brilliant addition to the Star Wars lore.

The Mandalorian will be available to stream from November 12th on Disney’s streaming service, Disney+.

Antonia Haynes resides in a small seaside town in England where she has lived her whole life. She's a simple girl with a passion for zombies, writing, film, television, drawing, superheroes, Disney and, of course, video games. Her ideal day would consist of junk food, fluffy pyjamas and video games because quite frankly going outside is overrated. Follow her on Twitter on @RainbowMachete

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‘The Walking Dead: The Telltale Definitive Series’ Review: A Bittersweet Swan Song for Telltale’s Defining Game Series

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When Telltale Games released The Walking Dead game back in 2012, there was no telling as to how the point and click interactive adventure game was going to be received. But the game became more than just a success. It became a critically acclaimed and commercially successful phenomenon that transformed Telltale Games into an A-list game development studio overnight. Winning countless awards- including a huge amount of Game of The Year awards from various publications– The Walking Dead proved that games that focus on delivering engaging narratives and well-developed characters can be just as good as big and bombastic games. However, the closure of Telltale Games in September 2018 meant that several projects were cancelled and The Walking Dead: The Final Season, which had just released its second episode, was suddenly thrown into a state of uncertainty. With the fans desperately wanting to complete Clementine’s story, Skybound Games stepped in, took on the challenge, and managed to finish the series with the critically acclaimed final episodes. Now, a year later, a compilation of all the games has been released and it’s a huge accomplishment. There is a sense of achievement surrounding this collection and whilst it is not without issues, it is a perfect package for fans of The Walking Dead as well as a poignant ending of an era.

Unused concept art of Clementine’s house doesn’t go to waste as it acts as the setting for the main menu.

The Definitive Series is a collection of all four seasons of Telltale’s The Walking Dead as well as the Michonne miniseries and the 400 Days DLC, plus a ton of new bonus material and additional features. A short documentary on how Skybound Games saved The Final Season is available as are developer commentaries from some of the cast and developers of the games for some various episodes. There is also an art viewer which shows off concept art from all the seasons and a character viewer where you can look through various character models and animations as well as listen to voice lines from across the series. The final bonus feature is a music player, which allows you to listen to Jared Emerson Johnson’s origianl score from each season. The bonus content is definitely a must-have for diehard fans of the series such. The ten-minute film The Return of The Walking Dead is a short but fascinating look into Telltale’s rise and fall and the effect it had on the staff as well as the fans. The developer commentaries also provide an insight into the game that fans would not otherwise have. For instance, the voicemail from Clementine’s mother Diana in the first episode of Season One is revealed in the commentary to have been the audition tape for actress Rebecca Schweitzer. They found her performance so impressive that they did not ask her to record any more dialogue for the role of Diana. Instead, they used the audition in the finished game as well as in the trailer for the game. It is little facts like this that I found really fun to hear when listening to the commentaries. The art viewer provides some brilliant concept pieces from the team behind the artwork of the games. It also gives an insight into some scrapped ideas. There is concept art for an unused gym setting in Ericson Boarding School from The Final Season as well as a dilapidated version of Clementine’s house. The house concept gets some use in the form of the menu for The Definitive Series, but a return to Clementine’s home could have been a fascinating addition to the game. The character viewer is definitely fun to play around with too as you can mix up voice lines and animations to create some weird and wonderful sights. My personal favourite animations are the Rosie model with AJ riding on her back and the updated Lee model with AJ perched on his shoulders, joyously shooting a machine gun. The music player is a great addition as well as Emerson-Johnson’s score hasn’t been readily available since now (except the music from Season One which was previously released as an album). It’s great if you want to let the music play in the background but one problem I did find is that you can’t jump from one song to the next automatically. All the songs have to be selected manually so you cannot let the albums play out. Despite this, the music player is still a good addition to the collection.

One of the most noticeable features of The Definitive Series is the improvement to the graphics. After playing through the first episode of Season One, the graphics update is incredibly noticeable. The world looks crisper and clearer, with more attention paid to background details that were barely noticeable when the game first released in 2012. For instance, when in the drugstore that is owned by Lee’s family, you can clearly see the pictures on the wall in the background and you can read the signs dotted around the drugstore easily. It is a nice touch that makes the world more believable and immersive. There is also more shading included, mirroring the style of the comic books even more than it already did. The improved visuals are very similar to the visuals in The Final Season, with more detail put into the aforementioned comic book style. It greatly enhances the experience of playing the game, adding more depth and elegance.

There is a significant improvement to the graphics in the remastered version of Season One.

The game isn’t without its problems. The release on the PlayStation 4, the platform on which I played it, was marred with a wealth of technical problems. The only working parts of the PS4 version when it first released was the art viewer, director commentaries and music player. The character viewer did not work at all and neither did the actual games (obviously the most important part). To be blunt, the PS4 version was pretty much broken upon release. Skybound Games has since released a patch to fix the issues, but my download of this patch took me an entire day. I wasn’t able to actually play the game until three days after I received it. This was incredibly frustrating but kudos to Skybound Games for acknowledging the problem quite quickly and keeping PS4 players informed of the patch progress.  The actual game also has some technical bugs and glitches and they are the sort that has come to be expected from Telltale titles. Awkward lip-syncing, dead-eyed characters and jarring animations are still present but I also got some new issues such as dialogue suddenly cutting off or characters missing out half of their voice lines. Although these kinds of glitches are known in these games, I am disappointed that these couldn’t be fixed in The Definitive Series. The game may look better, but it still has numerous hiccups that can take you out of the experience.

The player can listen to music from all four seasons as well as the mini-series and DLC. The music player in Clementine’s pool is a also a nice touch!

Despite the technical hitches and the broken PlayStation release, The Walking Dead: The Telltale Definitive Series is a must-have for hard-core fans of the game series. The behind the scenes insights are interesting for those invested in these titles and the various art and music available can make you truly appreciate the hard work that went into creating this world and these characters. Admittedly, The Definitive Series has little to offer to those who aren’t aware of the series or for casual fans who already own the games. That being said, there is a community of fans out there (myself included) who have loved and supported Telltale and The Walking Dead game for years who were genuinely devastated by the studio closure. It is those fans who will get the most out of this collection. The game encapsulates a nine-year journey and it is a bittersweet sendoff to the series and to Clementine, who we have seen grow throughout the series. No matter whether Telltale Games makes a comeback or not, the studio will always be remembered for this defining title which introduced us to Lee, Clementine and A.J and made us care about their struggle to survive in a post-apocalyptic world.  The Definitive Series marks the end of The Walking Dead Game– and the end of Telltale Games as it once was- and although the ending is certainly bittersweet, it is wrapped up nicely with this collection.

Somewhere in a much happier alternate reality…

The Walking Dead: The Telltale Definitive Edition is out now for PlayStation 4, Xbox One, Nintendo Switch and Microsoft Windows.

Can’t get enough of The Walking Dead? Season nine of the popular AMC television show is available now on Blu-ray and DVD in the US and will be available on September 30th on Blu-ray and DVD in the UK. The show will be returning for its tenth season on AMC on October 6th, 2019

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Introducing ‘Ring Fit Adventure,’ Nintendo’s Exercise Action Adventure for Switch

Nintendo’s “new experience” for Switch is ‘Ring Fit Adventure’, an unusual, ring-filled, and exercise-focused take on the action adventure genre

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Ring Fit Adventure

Last week, Nintendo teased a mysterious “new experience” for Switch. In our first report on it, we jokingly asked, “Why can’t this be an open world, motion-controlled yoga rhythm action game?”

It turns out that we weren’t too far from the truth.

Nintendo has now fully revealed this new experience to be Ring Fit Adventure, an exercise-focused title that “turns a typical adventure game on its head as players squat, press and flex their way through challenges designed for a wide range of body types and levels of fitness experience.” To make this unique exercise gameplay possible, players attach their Joy-con to the new Ring-con accessory, “a flexible electronic device that provides resistance, and uses the Joy-Con to respond to the player’s movements.”

Ring Fit Adventure is more than just another motion-controlled exercise game. Instead, it’s a full-fledged adventure, complete with a story, a world to explore, and RPG elements. Nick Chavez, Nintendo’s Senior Vice President of Sales and Marketing, said that “Ring Fit Adventure combines gaming and physical activity in a way that incentivizes people to keep coming back for more, to further both the story and their own fitness goals.”

Beyond the adventure mode, there’s also plenty of other modes focused primarily on simple exercise. There’s sets of exercises tailored specifically to individual body parts, along with some general practice routines as well. There’s even a “Silent” mode, which emphasizes quieter movements to ensure that apartment-dwellers don’t drive all their downstairs neighbors insane.

Overall, it’s certainly an extremely unique project. Check it out in all of its active, exercise-filled glory in the full reveal trailer below.

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Fantastic Fest 2019 Announces the Third and Final Wave of Programming

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Fantastic Fest

Fantastic Fest 2019 is just around the corner and a week before the doors open, the festival has revealed its third and final wave of programming.

Wave three brings a ton of exciting new titles including I Lost My Body, the award-winning film from director Jérémy Clapin, Jessica Hausner’s English-language debut Little Joe and Sea Fever which is being compared to such films as Alien to The Thing to last year’s Annihilation. In addition, they’ve added the World Premiere of Random Acts of Violence, We Summon the Darkness and the North American Premiere of Keep me Company.

The festival will also be honoring the career of Japanese maestro Takashi Miike with a lifetime achievement award and a special screening of The Happiness of the Katakuris. Check out the press release and full lineup below. You can find wave one here and wave two here.

Fantastic Fest runs September 19-26. Be sure to check back as we will be covering the event once again this year.

AUSTIN, TX — September 11, 2019 — Netflix brings the US Premiere of the much-lauded I LOST MY BODY to Fantastic Fest after an award winning debut at Cannes Critics Week. From director Jérémy Clapin, this singular tale of a severed hand trying to reunite with its owner is told in a striking hand-drawn animation style and won the Cristal award at the prestigious Annecy International Animated Film Festival.

“This has been a phenomenal year in terms of filmmaking, and we are proud to be hosting so many of the year’s best filmmakers in Austin,” says Evrim Ersoy, Fantastic Fest Creative Director. “Whether first-timers or alumni, we hope to share their work with our unique audience and to help elevate their voices within the festival world and with audiences at large.”

The festival will be honoring the career of Japanese maestro Takashi Miike with a lifetime achievement award and a special screening of THE HAPPINESS OF THE KATAKURIS. With over 100 films under his belt, Takashi Miike’s work has been regularly featured as part of the festival.

This year, Fantastic Fest alumni are bringing exceptional new projects to the festival. ALLÉLUIA filmmaker Fabrice du Welz returns to Austin with the North American Premiere of ADORATION, telling a story of young love gone wrong. Drafthouse Films alum Katrin Gebbe follows up her striking debut feature NOTHING BAD CAN HAPPEN with PELICAN BLOOD, where a mother realizes something may be very wrong with her adopted daughter. Finally, shorts filmmaker Ryan Spindell makes the jump to features with the World Premiere of his fast-paced anthology, THE MORTUARY COLLECTION.

One of the thrills of Fantastic Fest is the opportunity to see the beginning of a filmmaker’s career, and this year’s fest will feature a trio of stunning directorial debuts. In SAINT MAUD, a live-in nurse is determined to save the soul of her dying patient at any given cost. In HOMEWRECKER, polite friendship forces a young woman into a battle to the death with the growing insanity of her newly-made friend. Finally, in AMIGO, lifelong friends find their relationship turning toxic following a tragic and crippling accident.

The sea is the inspiration for a trio of films that inspire very different emotions. In SWEETHEART, a shipwrecked young woman discovers she might not be as alone as she thought. In SEA FEVER, the crew of a small shipping boat discovers their craft infected by an unknown organism. Lastly, in RIDE YOUR WAVE, a surf-obsessed young woman discovers that death might not be the final stop in her burgeoning romance with a handsome firefighter.

Fantastic Fest is known for its dedication to the horror genre, and this year’s lineup is especially strong with an array of fantastic premieres. In the World Premiere of RANDOM ACTS OF VIOLENCE, a comic book artist finds himself the inspiration for the grisly work of a serial killer. In the World Premiere of WE SUMMON THE DARKNESS, an after-party becomes deadly grounds for survival for a group of heavy metal fans. And in the North American Premiere of KEEP ME COMPANY, a romantic weekend getaway turns sinister with unusual occurrences at a rented house.

Cinephiles with a taste for the unusual will be delighted with a trio of titles that bend styles and genres to create something wholly unique. In LITTLE JOE, a scientific discovery threatens the entire future of mankind. WYRM concerns an alternative future where a shy, dinosaur-obsessed high-schooler struggles with a unique and unusual school requirement. And finally in NIGHT DRIVE a driver finds his boring evening becoming anything but when he picks up a young woman through a ride-share app in a glorious comedy of errors.

Alongside the usual vibrant and exciting shorts programming, Fantastic Fest 2019 brings a special focus to up-and-coming genre filmmakers from Mexico in a shorts block supported by Austin’s Consulate of Mexico titled MÉXICO FANTÁSTICO. The program opens with the disquieting thriller 9:40 starring Kristyan Ferrer (SIN NOMBRE), and proceeds with a selection of fantastic shorts that run the gamut in both genre and style, including the eerie folk-horror of THE WANDERING WITCH and disturbing sci-fi drama of THE ORIGINAL by Fantastic Fest alums Sofia Carrillo and Michelle Garza Cervera respectively.

Finally, live podcast recordings are back on The Highball stage at Fantastic Fest this year, with the return of Leonard Maltin’s Maltin on Movies, Doug Benson’s Doug Loves Movies, and April Wolfe’s Switchblade Sisters. This year brings new additions that include Horror Queers, The Horror and 5BY5 At The Movies.

Fantastic Fest 2019 – FINAL WAVE FILM LINEUP BELOW:

Adoration
France, Belgium, 2019North American Premiere, 98 minDirector – Fabrice du Welz

Paul lives with his mother on the grounds of a mental institution and has little contact with the outside world. When Gloria’s admitted, he’s immediately fascinated by her and events take an unexpected turn.

Amigo
Spain, 2019
World Premiere, 83 min
Director – Óscar Martín

After a serious car accident (for which he’s responsible), David decides to care for his best friend Javi at a remote house. It doesn’t take long until the animosity insidiously builds between them.

The Deeper You Dig
USA, 2019
US Premiere, 95 min
Directors – Toby Poser & John Adams (Co-director: Zelda Adams)

The creation of a family production team in upstate New York, this unsettling supernatural tale explores the aftermath of a roadside accident, bringing together a mother, her daughter, and a stranger in increasingly surreal circumstances.

HomeWrecker
Canada, 2019
International Premiere, 86 min
Director – Zach Gayne

Societal expectations create a pressure cooker in HOMEWRECKER, a darkly hilarious satire that plays like the best bonkers thriller Lifetime wishes they made.

I Lost My Body
France, 2019
US Premiere, 82 min
Director – Jérémy Clapin

A severed hand escapes from a laboratory and sets off on a series of adventures across Paris, determined to find its owner.

Jallikattu
India, 2019
US Premiere, 91 min|
Director – Lijo Jose Pellissery

The line between man and beast dissolves when a buffalo escapes slaughter in a sleepy South Indian village, leaving a trail of chaos and explosive machismo in its wake. It’s a landlocked JAWS, a bestial 2001, and a contemporary MAD MAX: FURY ROAD all rolled into one.

Keep Me Company
Portugal, 2019
North American Premiere, 82 min
Director – Gonçalo Almeida

Two lovers meet in a secluded country home to try to heal their relationship without distraction, but the property’s pool has other mysterious intentions.

Little Joe
Austria, United Kingdom, Germany, 2019
Sneak Preview, 105 min
Director – Jessica Hausner

A genetically modified scarlet flower has mood-enhancing antidepressant effects on its owners, which become increasingly alarming as its influence spreads in this body snatchers for the drugged-out millennium.

The Mortuary Collection
USA, 2019
World Premiere, 108 min
Director – Ryan Spindell

A young girl enters a secret room in a mortuary and learns the backstory of the mortician’s favorite deaths in this twisted anthology by Fantastic Fest alum Ryan Spindell.

Night Drive
USA, 2019
World Premiere, 82 min
Directors – Meghan Leon & Bradford Baruh

When Russell picks up an enigmatic young woman through a ride-share app, his boring evening perks up. But all bets are off after they hit a guy with the car in this charming comedy of errors.

The Other Lamb
Ireland, Belgium, USA, 2019
US Premiere, 97 min
Director – Malgorzata Szumowska

Selah lives with her mothers and sisters in a mysterious cult led by Shepherd. When she begins to question his teachings, it threatens to destroy the very nature of their existence.

Pelican Blood
Germany, Bulgaria, 2019
US Premiere, 121 min
Director – Katrin Gebbe

German acting treasure Nina Hoss headlines Katrin Gebbe’s (NOTHING BAD CAN HAPPEN) sophomore feature about a single mother who adopts — and won’t give up on — a troubled little girl with a horrific past.

Random Acts of Violence
Canada, 2019
World Premiere, 80 min
Director – Jay Baruchel

A comic book writer visits the town where a serial killer previously wreaked havoc, only to encounter a new series of murders that strangely mirror the deaths he created in his comics.

Ride Your Wave
Japan, 2019
US Premiere, 96 min
Director – Masaaki Yuasa

Surf-loving college student Hinako crosses paths with Minato, a handsome firefighter, but a tragedy will change all they know to be true.

Saint Maude
United Kingdom, 2019
US Premiere, 83 min
Director – Rose Glass

While caring for an attractive woman dying of cancer, devoutly religious nurse Maud develops an all-encompassing case of holy possession mixed with real-life obsession.

Sea Fever
Ireland, Sweden, Belgium, 2019
US Premiere, 91 min
Director – Neasa Hardiman

The crew aboard a West of Ireland fishing trawler marooned at sea fall victim to a gradually spreading parasite in their water supply.

Sweetheart
USA, 2019
Texas Premiere, 82 min
Director – J.D. Dillard

After a storm at sea leaves her stranded on a deserted island, Jenn gathers all her strength to find ways to survive. But when night falls, Jenn discovers that the island isn’t as deserted as she might have thought… or hoped.

We Summon the Darkness
USA, 2019
World Premiere, 90 min
Director – Marc Meyers

When Val, Beverly, and Alexis meet a group of fun-loving dudes in the parking lot of a heavy metal concert, they all decide to have an after-party, but it isn’t long before the group finds themselves fighting for their lives.

WYRM
USA, 2019
World Premiere, 106 min
Director – Christopher Winterbauer

In a strangely futuristic yet analog alternate universe, a lonely, dinosaur-obsessed youth struggles to complete a unique school requirement or risk being held back and enduring a lifetime of embarrassment.

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Prepare to Be Even More Creeped Out by Hideo Kojima’s ‘P.T.’

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A recently uncovered secret from Hideo Kojima’s P.T. (standing for playable teaser) revealed that the player is constantly being closely followed by the ghost known as Lisa, who is looming in the background of the game. Creepy right?

P.T. –– a collaboration between video game legend Hideo Kojima and film wizard Guillermo del Toro — was released back in 2014 and was intended to act as an interactive teaser for the game Silent Hills. Silent Hills was going to be the next installment in the Silent Hill horror game series, but unfortunately this never came to pass. A falling out between Kojima and publisher Konami led to the cancellation of Silent Hills. Fans of P.T. and the Silent Hill series were left disheartened by this decision due to the strong performance of P.T. and how promising it looked in terms of visuals, scares and story. The cancellation also led to P.T. being removed from the PlayStation Store, with any opportunity to download the game being lost. Only those who had already downloaded the teaser were able to play it and this led to even more intrigue on the hidden secrets concealed within the game. Indie developer Lance McDonald decided to delve further into the game and by using a camera hack, revealed the creepy ghost stalker.

The game itself focuses on a man attempting to escape from a freakish house with seemingly never-ending corridors. The player does have an encounter with Lisa in the game towards the end but they are also plagued by eerie noises and spooky shadows that approach from behind. McDonald’s discovery shows that Lisa is the culprit of all the hardships throughout, attaching herself to the player’s back as soon as they pick up the flashlight in the bathroom.

Check out Lance’s Twitter for more details on his creepy find as well as video clips if you really want to ramp up the nightmare fuel.

I wasn’t planning on sleeping tonight anyway.

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Check Out the Real Moves Behind the Tricks in ‘Tony Hawk’s Pro Skater’

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Tony Hawk

When it first launched back in 1999, Tony Hawk’s Pro Skater inspired a generation of wannabe skaters with its sense of cool action and its iconic soundtrack. We even ranked it as one of the absolute best game of the 1990s, calling it “a remnant of an era when the millennium was young, life was rad, the future was irrelevant, and goofing off was life.”

To celebrate the game’s 20th anniversary, Tony Hawk himself has recently revisited it and shared some details about its creation. Perhaps the most surprising tidbit he shared was the revelation that the development team actually used motion capture to attempt to recreate his signature skating tricks.

As can be seen in the Twitter video, Hawk was geared up in a full motion capture suit while performing some of his showiest moves. Unfortunately, he says that none of this actually made it into the final product, due to time constrictions near the end of development.

Tony Hawk’s Pro Skater released twenty years ago for the original PlayStation, where it quickly became a cultural phenomenon. To understand just how big of a deal it was (and still is), check out our retrospective piece.

[via Kotaku]

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