Berlinale 2019: ‘Greta’ Is an Important Tale, Turgidly Told
'Greta', inspired by the famous performance by Garbo in 'The Grand Hotel,' shares its inspiration's lifeless quality.
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Berlinale 2019: ‘The Awakening of the Ants’ is a Fine Study of Personal Change
'The Awakening of the Ants' subtly critiques Costa Rican gender relations through one woman's personal change.
Berlinale 2019: ‘Far From Us’ is a Tedious Experience
'Far From Us', now premiering at the Berlinale Forum Section, is a truly life-draining cinematic experience.
Berlinale 2019: ‘Retrospekt’ is Downright Irresponsible
'Retrospekt' is a non-linear domestic violence drama which unwisely suggests that women are sometimes responsible for the violence of men.
Berlinale 2019: Sex and Bureaucracy Intertwine in ‘Divine Love’
'Divine Love' is as sexually graphic as it is aesthetically pleasing, yet it has little substance beneath surface thrills.
Berlinale 2019: ‘What She Said: The Art of Pauline Kael’ Celebrates a Film Icon
'What She Said: The Art of Pauline Kael' is essential watching for any critic still looking for their voice.