Under the Radar: ‘Blaster Master Zero 2’
This increase in quality also demonstrates the potential of this to become a long running franchise. Inti Creates has shown how they can take a
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‘The Division 2’: Divided We Stand, United We Fall
On the whole, The Division 2 is a near-perfect example of how to create a relentlessly fun looter-shooter that dodges all of the pitfalls that
‘Anthem’ Review: Flighty Fun, but a Mech-Filled Mess
by Tim Maison
Dive bombing an unsuspecting sniper with the melee-focused Interceptor Javelin (the name Anthem gives its exosuits), eliminating an entire wave of enemies with a succession of
‘Ape Out’ is the Jazz-Inspired Beat ’em Up, you did not know you Needed in your Life
by Marty Allen
Ape Out is the ape-jazz-violence simulation you did not know you needed in your life. Smashing together brilliant design and satisfying gameplay, Ape Out is
Berlinale 2019: ‘Greta’ Is an Important Tale, Turgidly Told
'Greta', inspired by the famous performance by Garbo in 'The Grand Hotel,' shares its inspiration's lifeless quality.
Berlinale 2019: ‘The Awakening of the Ants’ is a Fine Study of Personal Change
'The Awakening of the Ants' subtly critiques Costa Rican gender relations through one woman's personal change.
Berlinale 2019: ‘Far From Us’ is a Tedious Experience
'Far From Us', now premiering at the Berlinale Forum Section, is a truly life-draining cinematic experience.
Berlinale 2019: ‘Retrospekt’ is Downright Irresponsible
'Retrospekt' is a non-linear domestic violence drama which unwisely suggests that women are sometimes responsible for the violence of men.
Berlinale 2019: Sex and Bureaucracy Intertwine in ‘Divine Love’
'Divine Love' is as sexually graphic as it is aesthetically pleasing, yet it has little substance beneath surface thrills.
Berlinale 2019: ‘What She Said: The Art of Pauline Kael’ Celebrates a Film Icon
'What She Said: The Art of Pauline Kael' is essential watching for any critic still looking for their voice.