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TIFF 2017: ‘Hostiles’ Is A Merciless Look Into The Horrors Of The American West

Hostiles is an admirably executed work about accessing the damage done to the collective psyche of western America in the late 19th century.
Brawl In Cell Block 99' - Courtesy of TIFF

TIFF 2017: ‘Brawl In Cell Block 99’ Is Violent, Twisted, And So Much Fun

Zahler’s Brawl in Cell Block 99 is a worthy follow-up to Bone Tomahawk.

TIFF 2017: ‘I Love You, Daddy’ finds art and life in uneasy conflict

It's impossible to separate the rumors about Louis C.K. from his new movie - and the movie itself makes clear he knows that.

TIFF 2017: ‘A Fantastic Woman’ Is A Moving, Vivacious Portrait Of Grief And Resilience

Along with 'Call Me By Your Name,' 'A Fantastic Woman' stands out not just as exemplary LGBTQ cinema, but as one of the best films of 2017, deserving wide recognition for overall achievement.

TIFF 2017: ‘Bodied’ Takes The Gloves Off

'Bodied' is an important film, but a deeply flawed one.
Lady Bird

TIFF 2017: ‘Lady Bird’ Is A Coming-Of-Age Classic

'Lady Bird' isn’t a great film for new director, it’s a great film. Period.

TIFF 2017: ‘mother!’ Is an all-out Assault on Your Senses And Your Patience

Aronofsky’s fans are in for a treat and everyone else is in for a chore.

TIFF 2017: ‘Vampire Clay’ Is Fun But Forgettable

'Vampire Clay' is an enjoyable B-level horror film, but somewhat lacking in originality.

TIFF 2017: ‘Three Peaks’ Is A Complex, Unnerving Story Of A Family’s Decomposition

'Three Peaks' is a fascinating, and at times disconcerting character piece about the struggle to be a family.