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A Descent into the Soundtrack of ‘Silent Hill 2’

What makes Silent Hill 2’s OST work, and how it has since remained a crucial cornerstone in gaming history.

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Silent Hill 2 is something else.

First released in 2002 by Konami (developed by Team Silent) for PlayStation 2 as a follow-up, not sequel, to the original Silent Hill (released in 1999 for PS1), it has since remained a crucial cornerstone in gaming history.

For those who embrace it, connect with it, it becomes an emotional endeavor, accomplishing a level of involvement and investment with the player that I have hardly, if ever, seen in the form of a video game.

You play as James, a troubled man drawn to the mysterious town of Silent Hill at the bequest of his, apparently, dead spouse. What follows is a downward spiral into the inner demons of the body, mind and soul, as Silent Hill comes alive as an amalgamated reflection of the torment James and the townsfolk that he meets have to live with.

In Silent Hill 2, the audio is as integral a part of the whole setup as anything else that contributes to its existence. Composer Akira Yamaoka is often credited as one of the three to four key people behind the creation and formation of the game, holding a status within the development team that is often not granted to a music composer.

The entirety of the soundtrack for Silent Hill 2 can be described as an intentional cacophony of bittersweet melodies, with hip hop beats laid over the darkest, most intimate, yearnings, and harrowing human-like-yet-synthetic sounds staggering out slowly from within the mostly silent environments of the game’s world.

The dark ambient aspects of the score are so simplistic but full of unnerving raw emotions.

While it would be expected for an atmospheric horror game of the time to perhaps include ambient sounds of howling winds and rustling trees, zombies or similar creatures going “uhhgghhh”, and other such things, Yamaoka’s compositions instead sputter radio noise, distorted electric strings and heavy drums that contain themselves within their own reverberations.

Yamaoka himself talks about this in the “making of” documentary, stating that he didn’t want to create the typical, scary sounds done in games like Resident Evil.

Keeping to its ambient nature, aspects of the score blend in with the environments of the game itself, merging the music played for you, the player, with the Otherworld screaming around James. But, in between these instances is often silence, scored with just the sounds of footsteps and faint environmental noises. Without these moments, the score would most likely lose all of its punch.

Considering the personal nature of James’s struggle within the context of the story, and his role in the creation of his own individual Otherworld, this ambiguity of the score plays directly into the narrative.

Also, it all sounds downright scary. That’s important.

Slower moments in the soundtrack, usually those that play in “safe” areas where enemies can’t reach you or in reflective cutscenes that divulge upon James’s thoughts, are pensive, which is in deep contrast with the balls-to-the-wall insanity that happens in the Otherworld. Here, we have somewhat relaxing, downtempo beats that resemble something more out of DJ Shadow’s catalog, or a song on a lo-fi chill playlist, which are popular these days.

Yamaoka counts Trent Reznor of Nine Inch Nails and Angelo Badalamenti (most popular for his work on David Lynch’s Blue Velvet and Twin Peaks) as two of his influences, and the chaotic rush of violent sounds that are then followed by melancholic and reflective plateaus seem to, perhaps, combine the best of those influences.

I’m not sure if Yamaoka heard or was in any way inspired by Maurice Jarre’s score for Jacob’s Ladder (the 1990 movie directed by Adrian Lyne served as perhaps the main inspiration behind the visuals and general ideas behind Silent Hill), as it too has the same qualities Yamaoka brings forth.

Unfortunately, Silent Hill 2’s full soundtrack has never been officially released, with the CD releases only containing thirty tracks, most of which are the more traditionally structured pieces.

While these tracks are crucial in bringing together the overall feeling of certain aspects of the game, on their own they simply cannot convey the complete mindset of the game’s experience.

A release that includes every single ambient or other soundtrack-related tracks is not common or even heard of; in the case of Silent Hill 2, however, these oft-disregarded pieces of “mood setting” music are perhaps more crucial to the identity of the game than they are for most other games.

Instead, to listen to the entire score of Silent Hill 2, one has to depend on dedicated fans such as “firebrandx”, who compiled the entire true score into an ultimate edition (tracks from which I featured within this article), and “TokyoBrando“, who has painstakingly compiled 108 or so tracks that amount to 3 hours and 40 minutes or so worth of material to YouTube.

Given that the series lost its identity after Silent Hill 2, meandering in mediocre scares and unimaginative canonical mishaps (not to mention things like the god-awful PS3 “remaster” of this very game), it’s fitting that it’s the fans who would work to preserve what once was.

 

Immensely fascinated by the arts and interactive media, Maxwell N's views and opinions are backed by a vast knowledge of and passion for film, music, literature and video game history. His other endeavors and hobbies include fiction writing, creating experimental soundscapes, and photography. A Los Angeles, CA local, he currently lives with his wife and two pet potatoes/parrots in Austin, TX. He can mostly be found hanging around Twitter as @maxn_

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Netflix Releases Teaser for ‘El Camino: A Breaking Bad Movie’

The Netflix Television Event will launch globally on Friday, October 11

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It was on September 29, 2013, that Breaking Bad came to an end with the final episode of that series, “Felina” in which Walter White evades a nationwide manhunt in order to return to New Mexico and deliver the remaining profits from his illegal methamphetamine empire to his family. Knowing cancer will soon kill him, Walt revisits his former acquaintances to settle his affairs and prepare himself for the conflict and his death. When the credits rolled, audiences believed it would be the last time they would see many of these characters and while we did get a spinoff show in Better Call Saul, one character who hasn’t returned in any other show as of yet is Jesse Pinkman. That’s about to change…

Netflix announced on Saturday that it will release a new Breaking Bad movie that will center on Pinkman (Aaron Paul), who was last seen in the TV series speeding off in a stolen Chevrolet El Camino to parts unknown.

The film, titled El Camino: A Breaking Bad Movie, was written and directed by Vince Gilligan, the creator of Breaking Bad, and will be released on Netflix on Oct. 11. The film is also expected to be broadcast at a later date on AMC, the cable network where the TV series was originally shown from 2008 to 2013.

Official Synopsis:

The Netflix Television Event El Camino: Breaking Bad Movie reunites fans with Jesse Pinkman (Emmy-winner Aaron Paul).  In the wake of his dramatic escape from captivity, Jesse must come to terms with his past in order to forge some kind of future.  This gripping thriller is written and directed by Vince Gilligan, the creator of Breaking Bad.  The movie is produced by Mark Johnson, Melissa Bernstein, Charles Newirth, Diane Mercer and Aaron Paul, in association with Sony Pictures Television.

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Watch the Trailer for ‘The Mandalorian’ the First Live-Action ‘Star Wars’ Series

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Thanks to the arrival of the D23 Expo, Disney has revealed the first trailer for its long-awaited Star Wars original series, The Mandalorian.

Created by Jon Favreau (Iron Man), the series is set after the events of Return of the Jedi and follows Pedro Pascal as a mysterious, gun-slinging Mandalorian bounty hunter who navigates the seedier side of the Star Wars universe.

Along with Pedro Pascal, The Mandalorian stars Gina Carano, Nick Nolte, Giancarlo Esposito, Emily Swallow, Carl Weathers, Omid Abtahi, Werner Herzog, and Taika Waititi. The first season of episodes will be directed by filmmakers like Dave Filoni, Taika Waititi, Bryce Dallas Howard, Rick Famuyiwa, and Deborah Chow.

the mandalorian trailer

Here’s the official description of The Mandalorian:

After the stories of Jango and Boba Fett, another warrior emerges in the Star Wars universe. The Mandalorian is set after the fall of the Empire and before the emergence of the First Order. We follow the travails of a lone gunfighter in the outer reaches of the galaxy far from the authority of the New Republic.

The Mandalorian begins streaming on Disney+ on November 12, 2019.

Check out The Mandalorian trailer below.

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Jordan Peele’s ‘Us’ Soundtrack Gets a Vinyl Release

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While we don’t publish music news or music reviews here at Goomba Stomp, we are huge fans of vinyl and since we cover film, we figured this announcement would interest some of our readers.

Back in 2017, Jordan Peele’s Get Out topped our list of the best films of 2017 and while the year isn’t yet over, there’s a good chance his follow-up Us, will land somewhere on our best of the year list as well. There are many reasons why we love Peele’s ambitious sophomore film including for the suspense, cinematography, performances, and direction, but one thing that doesn’t get enough praise is the soundtrack by Michael Abels. And if you like us, love the original score, you’re going to love this bit of news.

After giving his Get Out soundtrack a vinyl release last year, Jordan Peele is now doing the same for the soundtrack to Us.

WaxWork Records announced the news earlier today and if you’re planning on buying a copy, you don’t have to wait since it is now available to purchase through the label’s website.

The soundtrack, which received a digital release earlier this year, features composer Michael Abels’ score, in addition to songs from Janelle Monáe, Minnie Ripperton and the “Tethered Mix” of Luniz’s “I Got 5 on It” that appeared in the film’s first trailer. The album artwork was created by illustrator Edward Kinsella and features an interactive die-cut mirror board back cover, a heavyweight art print and an exclusive essay from UCLA Professor, scholar, and activist Shana L. Redmond Ph.D.

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Trailer for the Twisted Dark Comedy thriller ‘Villains’

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Alter has released the first poster and the official trailer for Villains, the upcoming dark comedy thriller which stars Bill Skarsgård (IT) and Maika Monroe (It Follows) as a couple who rob a gas station and scores enough cash to start a new life in Florida. Unfortunately for them, their getaway plans turn upside down and the young couple end up stumbling on much more than they bargained for.

Villains hits theaters on September 20th and was written and directed by Dan Berk and Robert Olsen. In addition to Skarsgard and Monroe, the movie also stars Jeffrey Donovan and Kyra Sedgwick. It’s co-produced by Bron Studios, Star Thrower Entertainment, Creative Wealth Media Finance, and The Realm Films. You can watch the trailer for Villains below.

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Beanie Babies: The Collectables with Heart

Toys We Love Spotlight

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For our Toys We Love Spotlight, I’m looking at one of my personal favourites: Beanie Babies. I had collected so many of these growing up, and households worldwide in the 90s and early 2000s were sure to have at least one Beanie Baby in their possession (was it even the 90s if they didn’t?). These plushie companions were cute, cuddly, and collectable, so it’s not a surprise that the Beanie Babies craze swept the globe, forcing parents and toy collectors everywhere to dig into their wallets.


Beanie Babies had a few aspects to them that made them stand out from your average plushie. Firstly, they did not have as much stuffing as most soft toys. Whilst some thought that this made them look cheap, it also made them light, posable, and gave them a realistic feel and look. The bear Beanie Babies were particularly good to pose, and this set them apart from run-of-the-mill teddy bears. Another element that made Beanie Babies more unique was their special tag. Each toy had a tag attached which had the toy’s name, date of birth, and a quotation etched inside. The former was something that could have been a risky choice, as although it wasn’t completely taking away the child’s choice of name — there was nothing stopping them from just calling their Beanie whatever they wanted — a pre-selected name can be difficult to sell, as kids can often take great pride and pleasure in naming their toys.

It was a great success, however, and worked as a nice finishing touch for the Beanie Babies, adding a dash of personality and flair (something much needed in the often critically over-saturated soft toy market), as well as making each Beanie Baby feel like their own creature with their own little stories. Adding to that was the wide variety of animals that were available, such as Tiny the Chihuahua, Pegasus the Unicorn or Swampy the Alligator. This means that the desires of each individual child or enthusiastic collector could be catered to (I myself favoured the dogs and bears).

The puppies were my Beanie Baby of choice. They were all such good boys and girls.

The Beanie Babies also had their own way of tackling difficult issues in society, showing them to kids through the guise of a soft toy. I’ll give you an example through my own experience: I had a Beanie Baby that (as odd as it may sound) gave me more of an understanding of the horrors of September 11th. Weird, right? Allow me to explain. I was only just nine years old on that now-historical day when the twin towers in New York were attacked and so many innocent people lost their lives. I had come home from school (it was afternoon time here in the UK when it happened), and I remember my mum watching it on television in complete shock. She had watched the whole thing whilst I’d been at school.

I didn’t really understand what was happening to be honest. Even when I was watching the repeats of the plane crashing into the side of the tower, I was somewhat oblivious the gravity of the situation (though as a nine year old child, I suppose I could be forgiven for that). The news continued to report the tragedy for a long time, and my school held assemblies to discuss the matter. I knew people had died, and that made me very sad, but I remember thinking that people died all the time, so why was this one incident reported on so much? About a month or so after, TY released three Beanie Babies as a tribute to those lost during 9/11. One of these was a Dalmatian Beanie Baby called Rescue, and I wanted him the moment I saw him, not really knowing the true nature of his purpose. My mum obliged happily, knowing what he represented. I remember taking my little Dalmatian with the red collar and American flag on his leg home and reading his tag. It read:

To honor our heroes
who lost their lives in the
national catastrophe that
took place on September 11, 2001.
We mourn for them and express our
deepest sympathy to their families.
God Bless America

Rescue the Dalmatian was joined by America the Bear and Courage the German Shepherd. The Beanies were a set of three released to honor those who perished in the tragedy of 9/11.

I found Rescue in my room recently, and the memories flooded back to me upon reading it again. I remember looking into all the acts of heroism and bravery after reading Rescue’s tag, and that’s when the situation really hit home to me. I looked into the stories of firefighters and first responders and those who had died, as well as all the search-and-rescue dogs attempting to save people among the chaos. As a child, it can be hard to see past your immediate opinion and truly consider the sheer weight of a situation, but with Rescue’s help, I was able to see just how this event was indeed very different to anything I had ever seen before, and how serious it was. It was the first time I felt like I was thinking like a grown up. I looked at the world differently from then on — obviously as I got older, but also from my ability to think harder and search deeper. Honestly, I don’t know if I would have even bothered if it wasn’t for Rescue reminding me of exactly how much was lost on that day.

Rescue, perhaps the goodest and bravest boy of them all.

Beanie babies will forever be ingrained in culture. They are still bought, sold and collected even now and will remain a timeless staple of most of our childhoods. They certainly are for me. Especially you Rescue, the bravest firefighting Dalmatian the world has ever known.

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Freelance Film Writers

Goomba Stomp is the joint effort of a team of like-minded writers from across the globe. We provide smart readers with sharp, entertaining writing on a wide range of topics in pop culture, offering an escape from the usual hype and gossip. We are currently looking for Film, TV, Anime and Comic writers.

Contact us: Editor@GoombaStomp.com

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